I actually don’t like writing about myself. I do write a lot about what I feel towards writing and blogging in general throughout 1.5 years of the limitless imagination, but I rarely talk about anything other than what is acutely related to this virtual space and the ani-manga community surrounding it. That’s really because I don’t like to bring anything that is not remotely relevant to the focus of this blog, which had unknowingly become established over time to – anime commentaries, essays, and just lots of posts about having no writing inspiration.
But I figured its probably time to write about one, mostly because I have been in the community for so long and yet I think, people don’t actually know me much. They know only what I write and what I choose to put on here, but I rarely communicate with people about anything outside the context of this blog.
But at this point in time, there are really a few things about my life that I think my readers need to know. I actually thought of skipping out this post because I am so pressed for time at this current point, but I realised there was one less deadline I had to meet and hence I ended up writing this.
Sorry for the wall of text as usual people. Read what you deem important.
Personal post. Mild spoiler for Daiya no Ace. Feel free to skip.
Recently, I showed my mother, a complete newbie to anime, the Sakurazawa vs Inashiro match in Daiya no Ace as an introduction to anime.
Note: This post is actually meant to be of therapeutic effect for me, because I am currently rewatching Diamond no Ace and suffering through angst, frustration, sadness and accentuated anxiety problems that have been seething underneath in the first place. But in any case, this idea came from my bouts of screaming, crying and cursing in watching said anime above. Since I have also never written about anime music, I figured there isn’t a better way to do it than this.
Last month, I wrote about how my anime journey began. My point then was to show how anime is a conscious choice of visual entertainment for me, rather than a product of childhood association, as with the case with others, anime hence forming a part of self-identity or a nostalgic sanctuary of dreams and innocence. Today, I attempt to evaluate the general stance of anime as an objectively more attractive choice among all story-telling mediums through a cross-cultural comparison across different types of TV series and dramas (excluding written fiction and movies, story-telling mediums that share lesser similarities with anime.) Through this, I hope to highlight how different anime is from its contemporaries, but also explain why and how anime may not be for everybody.
*Disclaimer: This post is mostly based on 80% personal experience and opinion, and 20% research. What is written is, to the best of my ability, knowledge, and experience, objectively representative of their respective genres. Please be aware that there may be exceptions.*
A essay for the KyoAni skeptic, past or present musical ensemble player, the Sound! Euphonium fan, and last but not least, the curious. Some mild spoilers ahead.
Throughout the one year and close to three months of the blogging community, I have come to realise that I have never provided much context to my opinions on anime, and what anime means to me. I thought they were too unimportant and uninteresting.
That is, until I read numerous such posts from other bloggers, and I realised how my different my experience is with anime as compared to others. Most importantly, I realised that providing the context of my experience is to certain opinions I write is quite relevant, especially when my preferences may border on being ‘different’ from most of my counterparts.
I won’t proclaim to deliver the most entertaining of stories below, but I believe that there is something in this post that would be of interest to any reader.
How it all began
Surprises come when you least expect it.
I am shackled to this aspect of story-telling called ‘plot unpredictability’. The way it throws me in a loop and delivers yet another conclusion that is almost entirely unpredictable and unexpected thrills me to no end. Caught up in the adrenaline of the moment as my stomach drops, I throw away all inhibitions, all objectivity, and all logic, and I just let the excitement consume me whole.
I become but a slave to the story, as the control over my own evaluative, otherwise relatively discerning mind, slips from my fingers, dropping to the ground below with a clumsy ‘splat’.
Charlotte was that roller coaster, and its major plot twist was that split second you hover before you plunge down into the darkness, the words which had started to form in your mind dissolving into sheer exhilaration, a blinding flash of white.
I realised I haven’t done an update for at least a year or so. At the very least, not in the form of this very casual, conversational-like tone which I am using right now. The past posts that are similar to this are either posts on self-reflection, or posts that generally aim to tell a narrative of sorts. Not this tone that some of you see glimpses of on Twitter (given that 140 characters do not give you much to work with from the start anyways.)
Whether one should watch Cross Ange: Tenshi to Ryuu no Rondo (“Cross Ange”) or not is a particularly difficult question to answer. It is a series that crosses too many boundaries of tolerance for the average anime viewer with its exploration of themes that cannot be stomached by many anime watchers, especially those who take a strict pro-feminist stance or have zero tolerance for blatant fanservice. Consumption of the series should also come with a massive warning label as its content features a smattering of trigger-warning content and controversial themes like yuri-rape, sexual glorification, misogyny, large servings of fanservice and certain atrocious acts of violence, just to name a few.
Now, who immediately closed this window, thinking that this is definitely not their cup of tea? At the very least, I urge those who stay to continue reading to understand why the ability to enjoy Cross Ange is not confined to fanservice lovers or yuri fans, and can actually be enjoyed by the rest of us, including females, who are looking for a good story, relatable characters, or just a nerve-wracking, entertaining ride in general.
Yes, Shiroyuni has jumped on the Twitter bandwagon
because she needs another social media account to waste more time on.
Anyways, first follow goes to @miyukiobsessed a.k.a. Crimson‘s blog twitter because its just the easiest one to remember for now *wink wink*.
As for the rest of you, I have no idea how to find your Twitter info except for stalking Crimson for now or clicking on Twitter’s suggestions. I mean I could also scroll through each and every one of your blogs but I haven’t found the time yet.
So it means that EITHER I add you guys slowly …
OR you guys could add me first – @shiroyunime
That’s all for now. Thinking of making an ask.fm account too maybe … but meh. One at a time 😀